Welcome to The LDS Organist Blog

The purpose of this blog is to help pianists learn to become true organists. Many individuals believe that if you play the piano you can play the organ, but the instruments differ greatly. While this blog is specifically geared towards members of The Church of Jesus Christ of Latter-day Saints, much of the information shared can be utilized by all. I hope that the information I share here will help you become an effective organist in your ward, stake, or other congregation.

Feel free to browse and search this blog. It was started in January 2010 and while new posts aren't added very often, this blog contains a wealth of information and is a wonderful resource for all organists. If you're a new reader, you can find the first lesson here: Before We Begin: Acquiring the Essentials. Also, please "like" the corresponding facebook page, which is updated more often. A link is provided on the right sidebar, or you can click here.

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Thursday, January 7, 2010

The Importance of Proper and Consistent Tempo

Off the top of your head, can you beat out a tempo of 90 beats per minute? 79? 118?

Whether or not you are a human metronome--or just think you are--it's important to note the suggested metronome markings at the top of each hymn and practice and accompany at the proper tempo. If you don't own one, it is time to purchase or borrow a metronome.

Meeting with the music leader in advance of services to run through the hymns is also very important, so that any tempo inconsistencies can be worked out before it's too late, and to make sure you both are on the same page, musically speaking.

Why is tempo such an issue?

In my opinion, one of the most dramatic examples of improper tempo is in the Easter hymn, "That Easter Morn," hymn number 198.

Here I am playing it at 82, which is the approximate tempo that I've heard it played most often.

It sounds like a funeral dirge or a hymn tune to reflect on Christ's death. Yet if you read the words, this song is celebrating His resurrection. The suggested metronome marking is 92-108, so I set the metronome at 100. Listen to the difference.

This hymn now sounds full of hope, and the music now matches the words.

It's also important to keep a consistent tempo throughout the entire hymn. I was amazed when I began practicing the organ to learn that "I Know That My Redeemer Lives," hymn number 136, is almost always played with a ritardando in the final stanza on each verse. Save the ritard for the final verse, and see how your congregation responds.

My challenge to you is to start practicing with a metronome (if you aren't), so you can see where your tempos are inconsistent, or where they are too slow or too fast, and see what difference it makes in your congregation.


  1. I'm on it! I actually have a metronome.

  2. Music matching the words... That is so true. How often I hear a player who is not always in tune with the chorus, and also seems to play over them as if in a competition.